I couldn’t in all good conscience change the recommend (to a band) - without something to replace it.
On March 11, 2011, an earthquake struck off the coast of Japan, churning up a devastating tsunami that swept over cities and farmland in the northern part of the country and set off warnings as far away the west coast of the United States and South America. Recorded as 9.0 on the Richter scale, it was the most powerful quake ever to hit the country. As the nation struggled with a rescue effort, it also faced the worst nuclear emergency since Chernobyl; explosions and leaks of radioactive gas took place in three reactors at the Fukushima Daiichi Nuclear Power Station that suffered partial meltdowns, while spent fuel rods at another reactor overheated and caught fire, releasing radioactive material directly into the atmosphere. Japanese officials turned to increasingly desperate measures, as traces of radiation were found in Tokyo’s water and in water pouring from the reactors into the ocean. A month after the quake, nuclear officials put the crisis in the same category of severity as the Chernobyl disaster.
As of April 7, the official death toll had been raised to 12,600, and more than 14,700 people were listed as missing, although there may be some overlap between the two groups. The final toll is expected to reach nearly 20,000. More than 160,000 people remained housed in temporary shelters; tens of thousands of others evacuated their homes due to the nuclear crisis.
One of the ways you can help Japan Earthquake and Pacific Tsunami survivors, is by donating.
There are other countries that need help too: Ivory Coast, Haiti, Pakistan, New Zealand, etc — Get involved, a disaster doesn’t go away because it no longer is front page news.
Amazon Japan has finally launched a DRM-free (digital rights management) mp3 download service.
With only the support of EMI Music Japan and no other major Japanese labels climbing on board — the new service isn’t likely to have a big impact on local retail-music.
Most Japanese record companies refuse to make their product available digitally without DRM. That’s why Japan is the only country where the iTunes Music Store uses Apple’s FairPlay DRM system.
Prices vary widely on the new service, but affordable. For example, Mass of the Fermenting Dregs’ new album Zero Comma, Iro Toridori No Sekaigoes for 1,200 yen ($14.50), FujiFabric’s SINGLES 2004-2009 album sells for 1,500 yen ($18.13) and Base Ball Bear’s CYPRESS GIRLS is priced at 1,200 yen ($14.50). Single tracks retail for 150 yen ($1.83).
I have yet to familiarize myself with the requirements and restrictions of the service. I hope I am not disappointed.
Posted by Dasr | Comments (0)
Canadian and Internet Japanese Music fans heads up! You are needed!
“The next tour is tentatively scheduled for late May 2011, but in order for it to happen more people need to get involved in helping me organize and promote it…” reads the latest blog entry from Steven at Next music From Tokyo (http://www.nextmusicfromtokyo.com/?p=1652).
You ask yourself, what can I do? First join the Next Music From Tokyo forum (http://www.nextmusicfromtokyo.com/forum/)and voice your appreciation of the project.
Second - Vancouver! Toronto! Montreal! What can you do?
Volunteer to contact (all local, High School, College) newspapers, radio stations, and magazines in your area. Post in forums, blogs and comment on those posts already out there (ie youtube). Pick a city - Vancouver, Toronto, or Montreal, and blanket the town with posters the week before the event! Get organized and grab some friends and head to the concert! Then write about it, post pics and videos in forum and blog!
Thirdly - Internet Community! We all know it is a worthy project and though we may not be able to attend, everyone can help!
Post the event in forum, blog, and send it to your Canadian friends (In chat, vent, skype and by steam). Support Japanese Music around the world (especially in Canada) and post till it hurts! And if you have to take a ban for the TNMFT Tour - wear your ban proudly!!
Cheers,
D
PS
If you missed it. Read keikaku.net’s interview with organizer Steven Tanaka, first tour veteran Ryogo Kobata (Violin, Guitar, Vocal) グーミ (goomi), Next Music from TOKYO!!! vol 2 Vocalist & Guitarist Kenta Oshikiri of susquatch, Kim (Bass, Guitar, Trumpet, Beatbox) of uhnellys and the members of Sgt — about the first and second tour!
Then download: The concert group cooperated with online Japanese music store HearJapan to release a sampler of some of the groups in both tours. Though Volume 1 is no longer available, Next Music from Tokyo Vol 2 is still free and downloadable at HearJapan.
Next Music from TOKYO vol 2 - susquatch “3 chords” @ Biltmore Cabaret
Next Music from TOKYO vol 2 - sgt. “Tears Of Na-ga” @ Biltmore Cabaret
020 Next Music from TOKYO vol. 2 - MASS OF THE FERMENTING DREGS
Guitar Wolf is a garage punk power trio founded in Nagasaki, in 1987. The term Jet Rock ‘n’ Roll was coined by the band to describe their musical style; a conglomeration of punk, traditional rock, heavy distortion, feedback, and screamed vocals. The phrase is derived from the last name of musician Joan Jett, whom Guitar Wolf frontman Seiji considers his greatest influence. Guitar Wolf tout themselves as “The World’s Greatest Jet Rock ‘n’ Roll Band.”
In 2000, Guitar Wolf starred in the Japanese rock ‘n’ roll “zombie horror” movie, Wild Zero, directed by Tetsuro Takeuchi. The band plays themselves as they take on crazed fans, zombies, and an alien invasion. Guitar Wolf recorded the soundtrack to the film as well, releasing it in 1999 under the title, Wild Zero. Guitar Wolf is currently looking for a sponsor for the sequel, Wild Zero 2. This was not the first time the band had appeared on screen, in 1997 all three original members of Guitar Wolf appeared in the John Michael McCarthy-directed The Sore Losers, appearing as the “mysterious strangers.”
In March 2005, bassist and founding member Billy, also known as Bass Wolf, died of a heart attack at the age of 38. His replacement in the band, bassist U.G., has become a permanent member of Guitar Wolf and now rounds out the trio which currently consist of band members Seiji (Guitar Wolf): U.G. (Bass Wolf); and Toru (Drum Wolf).
After a 5 year tour hiatus, Guitar Wolf returns to the U.S!
Tour Dates:
2010.09.24 @ Santos Party House NYC - New York, NY
2010.09.25 @ Hi Tone Cafe - Memphis, TN
2010.09.27 @ The Drunken Unicorn - Atlanta, GA
2010.09.29 @ Mohawk - Austin, TX
2010.10.01 @ The Pearl Palms Concert Theater - Las Vegas, NV
2010.10.03 @ El Rey - Los Angeles, CA
2010.10.04 @ BOTTOM OF THE HILL - San Francisco, CA
After Futoshi Abe’s death in 2009, www.thee.asia was launched in preparation for several new Thee Michelle Gun Elephant (TMGE) releases. Of these included Nikkatsu’s release of a re-edited version of TMGE’s final concert entitled “THEE MOVIE -031011-,” which incorporated never-before-seen footage of the band. To support the film, Rockin’-Blues organized “THEE SCENE,” a series of screenings to be held at various live venues across Japan. In addition, Universal Japan and Columbia Japan announced several new TMGE releases, including “THEE GREATEST HITS,” “THEE LIVE,” and “THEE VINYLS.”
THEE TRIBUTE is the first American tribute event for Thee Michelle Gun Elephant, and will allow fans in the U.S. a chance to celebrate the legacy of the band. The event will include a mini-exhibition of the band, including bios, discography information, timelines, and various memorabilia and photos. It will also feature the unofficial premiere screening of “THEE MOVIE,” as well as a tribute performance by Geisha Lightning.
Details for the first edition of this event:
DATE: September 4, 2010
VENUE: The Windup Space
12-15 North Avenue
Baltimore, MD 21201
TIME: Screening @ 7:30pm, Bands @ 10:00pm
COVER: $7.00
San Francisco-based live video-hosting service Ustream has concluded comprehensive agreements with three Japanese music-rights societies: JASRAC, Japan Rights Clearance and e-License.
The deal was announced last month (2010.07.09) by Ustream Asia, a Tokyo-based joint venture set up by Ustream and Japanese telecommunications and media company Softbank (which holds a stake in Ustream).
The agreement allows users to upload videos containing music managed by the three copyright groups to Ustream’s website. Ustream, which claims to have more than 110 million viewers per month globally, will pay royalties to the three groups from revenue gained through advertising and other sources.
Molice has been compared to the Pixies and the Pretenders, and after releasing two independent albums, has developed a strong following both in Japan and internationally. Late last year Molice did shows in Britain, and earlier this year the band appeared at a festival in Hanoi.
Lazy Guns Brisky is a hard-rocking outfit that has been compared to GNR and Aerosmith. Championed early in its career by Tokyo radio DJ George Williams, the band has just completed its first international tour, playing a total of 12 dates in France and Switzerland. Tsu Shi Ma Mi Re debuted in 2005, and since then has toured the U.S. six times, including shows at South by Southwest and anime festivals.
Molice’s album Catalystroc, Lazy Guns Brisky’s 26 Times and Tsu Shi Ma Mi Re’s Sex on the Beach will all be released Aug. 31, 2010, in North America. Good Charamel is also releasing a compilation titled We Love J-Rock the same day.
Other Japanese acts signed to Good Charamel are veteran female pop/rock trio Shonen Knife and club act DJ Sashimi, who is now based in Buffalo.
Shonen Knife is touring North America this summer to promote the band’s Free Time CD and Live at the Mohawk, a DVD shot on Shonen Knife’s 2009 U.S. tour that’s being released in North America on July 27, while Tsu Shi ma Mi Re is doing an American tour this fall with Peelander Z to promote Sex on the Beach.
It’s been about six weeks since Zazen Boys’ bassist Hinata Hidekazu announced he was leaving the band, and already ringleader Mukai Shutoku (restless as he is) has brought in a new bassist, Yoshida Ichiro. Yoshida was originally in the (now defunct) band 12939db (he also played in Nine Days Wonder), which appeared to be from Tokyo, so rumors that Mukai was going to hire someone from his home base in Fukuoka apparently didn’t pan out.
I’ve been surprised at some of the negative reactions over Hinata’s leaving, but I don’t think it matters who plays the instruments in Zazen Boys. This band is Mukai’s baby, and he could have Radiohead as the backing band without the results being much different. That said, there’s no way to even speculate what Zazen Boys’ next album will sound like, but don’t look for this new guy to be changing things.
This here blog is one small step for Keikaku, one giant step for the staff's collective ego. Unimportant news and many ramblings (sometimes about music) will likely be a big part of the posts. Enjoy.